![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlr31yxDLPjb20jJl3lBhNodmVAj2eOjUaMVtz_xKU33b9kKTOf8xAOOd8qeO5dYfMKocAWhvQPZuyryOtMx7EWFW8UhBVm2H2W0cmYWTs4TmefcIh1CsHWZYtVyp1NwM18cryYqSNlBet/s320/4968164594_c8c1828c0c_o.jpg)
Ashdown Forest, Looking South.
Five stage reduction linocut, 10 x 10 cm.
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEguCeqV2VbjTQeFUrokIuvUGZSalqx4j8BttTdTH1AWaUKEuGf-odbsVhcvF4syIxl23_Eu-HnHPxDmVYv_cLm-eyIhkboTDlCJOzG-fTqfPwiWl2-5eCKpchHil46ud4IqefehmSAYa-1D/s320/4968164286_f37b7b5fb3_o.jpg)
Ashdown Forest, Autumn Morning.
Five stage reduction linocut, 10 x 10 cm.
The thing that I like about these prints is that I managed to keep the early layers very pale, which improves the contrast with the dark later layers.
The things that I don't like are some not-very-good drawing in places, and too many "Why did I cut that?" moments.
On with the next prints...