New moon behind her

07 August 2013



New moon behind her
Acrylic on canvas, 24 x 24cm.

Old landscapes long forgotten

05 August 2013



Old landscapes long forgotten
Acrylic on canvas, 24 x 24cm

Clear of its glooms before the autumnal equinox

03 August 2013



Clear of its glooms before the autumnal equinox
Acrylic on canvas, 30 x 30 cm.

Lost in the radiance of the sun

01 August 2013


Lost in the radiance of the sun
Acrylic on canvas, 30 x 30 cm.

Etching lino again

03 July 2013

Etching lino again, this time trying to make a figurative picture.
I painted a bird shape with varnish, and then etched the block. The solid black in the middle is where the varnish held on, and resisted the caustic soda; the soft gray around the outside is where the block was etched. The white bits within the bird shape are where the varnish didn't resist the caustic soda.

Then I printed the block with a mask over the background.

And then on coloured backgrounds.


Havana

02 July 2013

Havana, Cuba

Spanish Colonial house on the Paseo de Martí, Havana, Cuba.
Ink on paper, 24 x 30 cm.

Monoprint landscape

25 June 2013

Landscape in a mix of linocut and monoprint, 10 x 10cm.



Etching lino in progress

17 June 2013

Some blocks with caustic soda (the yellow gungy stuff) on them.


Cellist: Getting carried away

16 June 2013

Got a bit carried away with excitement, and tried to combine the multiple blocks with the etched lino. I transferred the line image of the cellist onto another block, and then etched that block, carefully applying the caustic soda only to the area within the line image. This is what the etched block looks like when printed in black:


Then I printed the original line block over the top:


Well, it's worked in parts: the etched bits give a nice, unusual, texture. And failed in other parts: the face on the etched block didn't bit, giving too much black there.




Cellist: Getting carried away

Got a bit carried away with excitement, and tried to combine the multiple blocks with the etched lino. I transferred the line image of the cellist onto another block, and then etched that block, carefully applying the caustic soda only to the area within the line image. This is what the etched block looks like when printed in black:


Then I printed the original line block over the top:


Well, it's worked in parts: the etched bits give a nice, unusual, texture. And failed in other parts: the face on the etched block didn't bit, giving too much black there.