Views from Firle Beacon, East Sussex. Still using with multiple images in a single work, and concentrating on the patterns that occur in landscape, both natural and manmade.
Four-colour reduction linocut. 16 x 16cm.
Landscape patterns: 1
16 January 2010
Continuing the theme of using with multiple images in a single work.
Three-colour reduction linocut. 16 x 16cm.
Three-colour reduction linocut. 16 x 16cm.
Montmartre
04 January 2010
We're in Montmartre. We brave the bitterly cold weather. In all of picturesque Montmartre, the only place we can find to sit that is away from the tourists is in front of this bus stop.
Watercolour on paper, 26 x 9 cm.
Similar view on Google StreetView (when the sun was shining!)
Watercolour on paper, 26 x 9 cm.
Similar view on Google StreetView (when the sun was shining!)
Montmartre window
01 January 2010
New Year's Day 2010, Paris: It's too cold to draw outside. This is the window of our flat. Watercolour on paper, 9 x 14cm.
Carol singers
20 December 2009
A new linocut
19 December 2009
After several weeks struggling to produce some new prints, I've finally done something that's starting to go in the right direction. It's a two-stage reduction linocut, 16 x 16cm (each square is about 5cm).


First, I cut away the areas from the lino-block that I wanted to stay white, and then printed it in red. Then I cut away the areas that I want to stay red, and print that in black, on top of the red.
The image itself combines the influences of lots of things that I have been looking at recently (though the effect of the influences is quite diluted by the time they reach the paper):
-- the "Revolution on Paper" exhibition of Mexican prints at the British Museum
-- (deceptively) simple linocuts by Robert Taverner and Christopher Brown
-- the Warhol room at the Tate's Pop Life exhibition which had a wall of his celebrity portraits
-- and even the way we hung my paintings in groups of four and nine at a recent exhibition.


First, I cut away the areas from the lino-block that I wanted to stay white, and then printed it in red. Then I cut away the areas that I want to stay red, and print that in black, on top of the red.
The image itself combines the influences of lots of things that I have been looking at recently (though the effect of the influences is quite diluted by the time they reach the paper):
-- the "Revolution on Paper" exhibition of Mexican prints at the British Museum
-- (deceptively) simple linocuts by Robert Taverner and Christopher Brown
-- the Warhol room at the Tate's Pop Life exhibition which had a wall of his celebrity portraits
-- and even the way we hung my paintings in groups of four and nine at a recent exhibition.
Dancing in the snow
01 December 2009
This morning, we opened the first door on our Advent calendar.
And we found a rabbit dancing in the snow!
And we found a rabbit dancing in the snow!
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