Paris again: Day 3
21 February 2017
Houses by Canal St Martin. Ink and watercolour, 18 x 18cm.
Canal St Martin, bridge at Rue Eugéne Varlin. Ink and watercolour, 18 x 18cm.
Metro at Boulevard de la Villete, Jaures station. Ink and watercolour, 18 x 18cm.
Metro at Boulevard de la Villete, Jaures station. Ink and watercolour, 18 x 18cm.
Rue de la Folie Méricourt. Ink and watercolour, 18 x 18cm.
Labels:
architecture,
drawing,
France,
Paris,
pen and ink,
travel sketchbook,
urban sketching,
watercolour
Paris again: Day 2, part 2
20 February 2017
The sky's getting dark. Two views from the Place de Hotel de Ville.
Looking north to the dome of BHV Marias. Ink and watercolour, 18 x 18cm.
Looking south to rooftops on Ile de Cité, and the towers of Notre Dame. Ink and watercolour, 18 x 18cm.
Looking north to the dome of BHV Marias. Ink and watercolour, 18 x 18cm.
Looking south to rooftops on Ile de Cité, and the towers of Notre Dame. Ink and watercolour, 18 x 18cm.
Labels:
architecture,
drawing,
France,
Paris,
pen and ink,
travel sketchbook,
urban sketching,
watercolour
Paris again: Day 2, part 1
Houses on the Canal St Martin. Pencil and watercolour, 36 x 18cm.
Place des Vosges. Pencil and watercolour, 18 x 18cm.
Signs by the Seine. Pencil and watercolour, 18 x 18cm.
Houses behind the Bibliothèque Forney. Pencil and watercolour, 18 x 18cm.
Paris again: Day 1
19 February 2017
Working faster, because of the cold.
Then off the Louvre:
Houses near Les Halles. Pencil and watercolour, 18 x 18cm.
Then off the Louvre:
Pavillion Sully from the Cour Carrée.
Pencil and watercolour, 18 x 18cm.
Corner of the Cour Carrée.
Pencil and watercolour, 18 x 18cm.
Wide view of the Pyramid in the Cour Napoleon, and the Pavillion Mollien.
Pencil and watercolour, 42 x 18cm.
Pavillion de Rohan
Ink and watercolour, 21 x 18cm.
Pavillion de Turgot
Ink and watercolour, 21 x 18cm.
Arc de Triomphe du Carrousel
Ink and watercolour, 18 x 18cm.
Towards abstraction: After Kline
14 February 2017
Some pictures inspired by looking at the work of Franz Kline: big, black, structures, with some touches of colour. The white sections are white paint, not left as the white paper, for a more textured finish. Painting the white after the black, on top of the black, softens the graphic effect. Easy to read some suggestions of landscape in these: horizons, roads, rivers, field patterns.
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