Etching lino: Resist!

09 June 2013

No, don't resist from trying this! Resist is stuff you put on the block where you want to keep it solid, so you protect it from the caustic soda.

All these blocks were the slower-working Great Art brown lino. Each about 10 cm square. Left to bite for two hours. I tried to put the caustic soda on as thickly and evenly as possible. (I think the thickness of the soda also affect how much it bites, but that's a future experiment.)

Stopping out varnish: Works, but needs to go on thicker, and leave it to dry longer. This had dried for about one hour.



Wax crayon. You can just about make out some curved lines towards the left of the print, but again, it needs to go on more thickly.


Sellotape: Works well, if you press it down hard enough. This block had several strips of tape across it, which I took off at intervals. The dark stripe at the bottom was not bitten at all; the next strip for about 30 minutes; the next for 60 minutes and so on.



Sellotape: Twisted and folded to make patterns.


Sellotape and wax crayon


Will power: Just applied the soda on the block in selected places. This doesn't work too well if you do what I did: drop the block so that the soda ended up over nearly all of the block. 


Etching lino: Varnish as a resist

On these blocks, I used stopping out varnish as a resist. Again, they are Great Art brown lino, left to bite for two hours.

It works, but needs to go on thicker, and I need leave it to dry longer. This had dried for about one hour.


The Green Tower

15 May 2013


The Green Tower

Biro on paper, digitally coloured

No. 31 and 31A

06 May 2013

No. 31 and 31A
Pencil on paper, digitally coloured.

Landscape painting

17 April 2013



Acrylic on canvas, 30 x 30 cm.



Linocut, stages 1, 2, 3, 4, 5...

09 April 2013

Another new linocut, but again, I forgot to photograph the earlier stages of it. Here we are, already at stage 5.


A tin

06 April 2013


French chicory pot.
Pencil on paper, approx 20 x 20 cm.

Linocut: Belle Tout and Seven Sisters

03 April 2013

New linocut: a classic view of Belle Tout and the Seven Sisters from Cuckmere Haven in Sussex.


Belle Tout and the Seven Sisters. Reduction linocut, 10 x 10 cm.

I forgot to take any "work in progress" pictures, so regular readers might like to work out how many layers this print has for themselves!

A potato

01 April 2013

Working my way through the vegetable drawer.

A potato.
Pencil on paper, 15 x 10.

I tried to use harder, sharper edges toward the front of the potato, and softer lines towards the back, to emphasise the perspective.

An onion

31 March 2013

About time I practised the sight-size drawing technique. I couldn't persuade anyone to sit for me for thirty-six hours, let alone afford model rates, but I managed to find an onion who offered decent terms.

Onion.
Pencil on paper, approx 8 x 6 cm.

Hard to believe that such a small drawing took me four hours.

One of many useful ideas that I picked up from the sight-size drawing course was that you don't need to draw a line round everything. Here, for example, the pale broken line at the top of the onion makes the highlight look much brighter.